A Review of Genoveva Dimova's "Foul Days" (audiobook)

Genoveva Dimova’s “Foul Days” is a fun paranormal mystery suitable for fans of Van Helsing and similar monster-story revisions.

Kosara is a witch who, one fateful night, must trade her shadow in order to escape from her former demon (dragon?) lover, Zmey the Tsar of Monsters. With the help of a copper from the other side of the wall, she must recover her shadow before she fades away completely. Together, they battle various monsters as they run to ground the clues to help save themselves and the city of Chemograd.

I really enjoyed this story. It was fun, action-filled, and the world-building was spot on. It felt like a soviet-era spy novel, but with witches, ghosts, and other ghouls. I would absolutely read any follow-ups.

The narrator, Zura Johnson, did an excellent job with the different characters’ voices and the emotion needed to tell this story.

I definitely recommend this book. It’s a fun summer read or listen and kept me engage from page one. I received a copy from NetGalley.

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Book Review of "The Dare Club: Nita" by Laurie Bradach and Kim “Howard” Johnson

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Another common error young writers make is telling a story, rather than showing a story. This is probably because many of the short stories they have been exposed to are fairy tales, which have a distant point of view and summary-like narration. They start with phrases like "There once was..." and use direct characterization, like "She was the kindest girl in all the land." When we write, we need to show our stories, using vivid verbs, specific details, and deep point of view. Here's an example of a passage that is told. The action is summarized and the reader feels as if the action is happening far away: It was June of 1943. Eric's older brother had gone away to become a fighter pilot. Eric wanted to be a pilot too, so he got in the family's crop dusting plane and started it up. He flew it out of the barn and crashed it into the old oak tree in the yard. He hit his head. The doctor had to come. His brother came back, injured from the war. The two healed

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Exposition is used in two ways when talking about fiction. First, it is the set-up at the beginning of the plot arc. Where we learn the basic who, what, when, and where. This is a necessary part of plot to ground your reader. I'm going to address the second way exposition is used in a story. This is when an author gives background information, description of characters or setting, or summarizes events that have already happened. It can happen at any point in the story. This is a necessary, key element of writing and one of the three tools an author has to tell his or her story, along with scene and dialogue. A good author does this without slowing down the forward progress of the plot. That is, the exposition makes sense in the context of the scene (or action) of the story and does not trip up the reader or bore him or her. She turned her blue gaze toward him. Here, we get the fact that she has blue eyes in the context of the action. That's the best way to give description. One

Writer and Editor C.B. Calsing/ G.G. Royale

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