Writer and Editor C.B. Calsing/ G.G. Royale

Who doesn’t love a horror novel that begins with a cursed archeological expedition? That and other tropes make Eric LaRocca’s “Everything the Darkness Eats” a satisfying read for most horror fans.  Before I go any further, however, this book does need some trigger warnings. Most notably for me, rape and hate crimes. Both are pretty graphic. Other reviewers had a hard time getting through the book as a result.  In this story, we follow multiple perspectives of people living around a rural New England town. Several citizens have gone missing. A mysterious, dashing man who drives a Rolls Royce and claims to sell funeral plots is involved, as is a widower who has a spirit around his neck and a police detective who has been the victim of a hate crime. In different ways, they attempt to bring an end to the paranormal threat facing the town.  This story, narrated well by Andre Santana, draws on a lot of tropes that will remind readers of Joe Hill and Stephen King: the car, the manor house, an

Kaitlyn Davis’s “The Raven and the Dove” is the first book in what is sure to be an epic fantasy romance series. Mistaken identities, prophecies, and mysterious plots all play a role in the drama. In a world where the goods grant people living on floating islands the wings of birds, but magic is forbidden, Lyana and her brother enter the annual courtship rituals of the royalty. Lyana thinks she has chosen one prince but finds out she has ended up with his half-brother instead. She and her best friend, Cassie, follow him to his land for the impending nuptials. There are other plots at work, however, and the ending is not the wedded bliss anticipated by Lyana and her betrothed.  Narrated nicely by Sarah Sampino, this fantasy was an entertaining listen. The world-building was intriguing, and I look forward to learning more about the mechanics of magic versus the power of the gods as interpreted by the different cultures in the world. The love triangle between Lyana, Rafe, and Lysander was

“The House of Roots and Ruin” is Erin A. Craig’s follow-up to “The House of Salt and Sorrow.” Years after the setting of the first book, the narrative follows the youngest Thaumas sister, Verity. She’s recently learned a secret about herself and decides to flee home and strike out on her own. The opportunity comes in the commission to paint a young ducal heir on the far side of the country. Verity takes the job without consulting with her older sister. The duke, his wife, and his son (the subject of her painting) welcome her into their lush home. Verity is happy at first, but she begins to uncover secrets in the house that suggest something more sinister is going on. While her relationship with the duke’s son progresses beyond painter and subject, Verity learns she’s part of the plot and must decide to who to trust. This was a thoroughly entertaining sequel to “The House of Roots of Ruin.” It starts a little more froufrou with flowers and pink candles, but the gothic qualities catch up