Skip to main content

A Review of Caryn Larrinaga's "Mouse Trap"

Caryn Larrinaga’s Mouse Trap is a quick, quiet horror read that will leave its audience satisfied and relieved. 

Dakota’s family has suffered...a lot. Her parents had dreamed of fostering and adopting many children, but when their youngest of three dies tragically in the family home, those dreams die with him. Years later, Dakota, the middle child, returns to the family home to help bury her agoraphobic older brother, Lennox. Lennox had promised to protect her from the force she was sure killed her little brother. But now that Lennox is dead, who will look out for Dakota? And is it her grief haunting her or something darker, more nefarious? 

This was a solid story with a satisfying ending that leaves the reader hopeful. The lightness at the end, however, does not permeate the story throughout, and there is plenty of tension to the otherwise quiet, not-very-gory plot. It’s one of those stories where you’re never quite sure whether the protagonist’s suffering is coming from within or without. Dakota is flawed but likable, though we have more sympathy for her deceased brother. That has to be deliberate on the author’s part.  

Mouse Trap is a fine read for an afternoon or a weekend for fans of quiet horror that is neither gruesome nor overwrought. I received the ebook from NetGalley, and I look forward to seeing what else Caryn Larrinaga has written. 

Comments

Popular posts from this blog

Book Review of "The Dare Club: Nita" by Laurie Bradach and Kim “Howard” Johnson

Laurie and Kim will be awarding a $20 Amazon Gift Card to a randomly drawn commenter during the tour, so make sure to leave a comment here and visit the other stops on the tour: http://goddessfishpromotions.blogspot.com/2012/11/virtual-review-tour-dare-club-nita-by.html Series:  The Dare Club Format:  E-book & Paperback Genre: Contemporary YA, Mystery Length:  330 pages in paperback Blurb: Nita Conroy has relocated to the most boring town on the planet. That is, until would-be boyfriend Brad Keeley spills the beans about a secret group of girls known as The Dare Club. During her subterranean initiation below the high school, Nita overhears a plan by contractors and school officials to embezzle millions of dollars in grant money. When she is betrayed, The Dare Club's pranks become deadly serious. With the clock ticking, Nita will need the help of her new friends to expose the chilling plot--and hopefully survive long enough to snag a date to the homecoming dance. Exce...

An Honest Lie Two!

I got word yesterday that my story, "Independence," will be included in An Honest Lie Two: Delusions of Insignificance. I am, of course, quite pleased since this will be the second story from my unpublished California collection, All Along the Pacific , to appear in print. Everyone knows that a collection with stories that have already seen publication has a better chance of getting taken. Of course, I have quite a bit of work to do on some of the other stories before they would be ready. Currently, I'm working on a few science fiction stories. Also, I've got my NaNoWriMo novel -- I finished it, but it was only 26,000 words -- with another author. If we can bump it up to 50,000, I'm certain we can find a place to get it published. This is a historical YA novel written specifically for eighth graders in Louisiana, but I think it has a wider appeal.

Exposition: One tool the author has to tell a story

Exposition is used in two ways when talking about fiction. First, it is the set-up at the beginning of the plot arc. Where we learn the basic who, what, when, and where. This is a necessary part of plot to ground your reader. I'm going to address the second way exposition is used in a story. This is when an author gives background information, description of characters or setting, or summarizes events that have already happened. It can happen at any point in the story. This is a necessary, key element of writing and one of the three tools an author has to tell his or her story, along with scene and dialogue. A good author does this without slowing down the forward progress of the plot. That is, the exposition makes sense in the context of the scene (or action) of the story and does not trip up the reader or bore him or her. She turned her blue gaze toward him. Here, we get the fact that she has blue eyes in the context of the action. That's the best way to give description. One...