Skip to main content

New Anthology Cover and Table of Contents Reveal!

Mrs Clausedited by Rhonda Parrish


When you think of Mrs. Claus, do you imagine a quiet North Pole homebody who finds complete fulfillment in baking cookies, petting reindeer and crafting toys alongside elves? How about a magic-wielding ice goddess, or a tough-as-nails Valkyrie? Or maybe an ancient fae of dubious intentions, or a well-meaning witch? Could Mrs. Claus be a cigar-smoking Latina, or a crash-landed alien? Within these pages Mrs. Claus is a hero, a villain, a mother, a spacefarer, a monster hunter, and more. The only thing she decidedly is not, is a sidekick.

It’s Mrs. Claus’ turn to shine and she is stepping out of Santa’s shadow and into the spotlight in these fourteen spectacular stories that make her the star! Featuring original short stories by Laura VanArendonk Baugh, C.B. Calsing, DJ Tyrer, Jennifer Lee Rossman, Kristen Lee, Randi Perrin, Michael Leonberger, Andrew Wilson, Ross Van Dusen, MLD Curelas, Maren Matthias, Anne Luebke, Jeff Kuykendall, and Hayley Stone.

Table of Contents:

“Wight Christmas” by Laura VanArendonk Baugh
“The Asylum Musicale” by C.B. Calsing
“Desperately Seeking Santa” by DJ Tyrer
“Christmas Magic” by Jennifer Lee Rossman
“Good Morning” by Kristen Lee
“Moves Like Jagger” by Randi Perrin
“Miss ‘Lil Toe Head” by Michael Leonberger
“Unexpected Guests” by Andrew Wilson
“The True Story of Christina and Kristopher Kringle” by Ross Van Dusen
“Shouldering the Burden” by MLD Curelas
“You’d Better Watch Out” by Maren Matthias
“Captain Lizzy and the Stranger in the Fog” by Anne Luebke
“Agatha Sings to the Scorpions” by Jeff Kuykendall
“Red to Hide the Blood” by Hayley Stone

ANTHOLOGIST BIO

Rhonda Parrish is driven by the desire to do All The Things. She was the founder and editor-in-chief of Niteblade Magazine, is an Assistant Editor at World Weaver Press, and is the editor of several anthologies including, most recently, Sirens and D is for Dinosaur. In addition, Rhonda is a writer whose work has been included or is forthcoming in dozens of publications including Tesseracts 17: Speculating Canada from Coast to Coast, Imaginarium: The Best Canadian Speculative Writing (2012 & 2015), and Mythic Delirium. Her website, updated weekly, is at rhondaparrish.com.

FIND IT ONLINE

Official page:
http://www.worldweaverpress.com/store/p141/Mrs._Claus.html

Goodreads:
https://www.goodreads.com/book/show/36269396-mrs-claus

Amazon:
https://www.amazon.com/dp/B075NRZK8X

Barnes & Noble:
https://www.barnesandnoble.com/w/mrs-claus-rhonda-parrish/1127107534

Kobo:
https://www.kobo.com/us/en/ebook/mrs-claus-not-the-fairy-tale-they-say

iBookstore:
https://itunes.apple.com/us/book/id1285590090


Comments

Popular posts from this blog

Book Review of "The Dare Club: Nita" by Laurie Bradach and Kim “Howard” Johnson

Laurie and Kim will be awarding a $20 Amazon Gift Card to a randomly drawn commenter during the tour, so make sure to leave a comment here and visit the other stops on the tour: http://goddessfishpromotions.blogspot.com/2012/11/virtual-review-tour-dare-club-nita-by.html Series:  The Dare Club Format:  E-book & Paperback Genre: Contemporary YA, Mystery Length:  330 pages in paperback Blurb: Nita Conroy has relocated to the most boring town on the planet. That is, until would-be boyfriend Brad Keeley spills the beans about a secret group of girls known as The Dare Club. During her subterranean initiation below the high school, Nita overhears a plan by contractors and school officials to embezzle millions of dollars in grant money. When she is betrayed, The Dare Club's pranks become deadly serious. With the clock ticking, Nita will need the help of her new friends to expose the chilling plot--and hopefully survive long enough to snag a date to the homecoming dance. Exce...

Show, Don't Tell!

Another common error young writers make is telling a story, rather than showing a story. This is probably because many of the short stories they have been exposed to are fairy tales, which have a distant point of view and summary-like narration. They start with phrases like "There once was..." and use direct characterization, like "She was the kindest girl in all the land." When we write, we need to show our stories, using vivid verbs, specific details, and deep point of view. Here's an example of a passage that is told. The action is summarized and the reader feels as if the action is happening far away: It was June of 1943. Eric's older brother had gone away to become a fighter pilot. Eric wanted to be a pilot too, so he got in the family's crop dusting plane and started it up. He flew it out of the barn and crashed it into the old oak tree in the yard. He hit his head. The doctor had to come. His brother came back, injured from the war. The two healed...

Exposition: One tool the author has to tell a story

Exposition is used in two ways when talking about fiction. First, it is the set-up at the beginning of the plot arc. Where we learn the basic who, what, when, and where. This is a necessary part of plot to ground your reader. I'm going to address the second way exposition is used in a story. This is when an author gives background information, description of characters or setting, or summarizes events that have already happened. It can happen at any point in the story. This is a necessary, key element of writing and one of the three tools an author has to tell his or her story, along with scene and dialogue. A good author does this without slowing down the forward progress of the plot. That is, the exposition makes sense in the context of the scene (or action) of the story and does not trip up the reader or bore him or her. She turned her blue gaze toward him. Here, we get the fact that she has blue eyes in the context of the action. That's the best way to give description. One...